Portfolio
Discover Van Ann Moore’s Previous Singing and Acting Work
Aimee Semple McPherson (1890 – 1944)
Going up and down the united states with just a car, Aimee Semple McPherson with her children in tow, and only a tambourine in her hand, she preached in tents, Concert halls, boxing rings, and speak-easies praying for the healing of thousands. This is the remarkable story of the founder of the International Church of the Four Square Gospel, the first woman to preach a sermon over the radio, who built L.I.F.E. Bible college, started her own radio station KFSG, and built and dedicated Angelus Temple in Los Angeles when she was only 32 years of age.
Charlie Chaplin advised her about her mammoth Evangelistic productions and Anthony Quinn played sax in her orchestra. Aimee Semple McPherson considered by many to have been the greatest evangelist and preacher of the 20th century --- certainly the greatest woman evangelist to have ever lived. Sister Aimee preaches again!
Aimee Semple McPherson (1890 – 1944)
"Evangelist, Faith Healer, and Star"
(1890 - 1944)
Click here or on image for a biography & a larger photo
Aimee Semple McPherson (1890 – 1944)
Going up and down the united states with just a car, Aimee Semple McPherson with her children in tow, and only a tambourine in her hand, she preached in tents, Concert halls, boxing rings, and speak-easies praying for the healing of thousands. This is the remarkable story of the founder of the International Church of the Four Square Gospel, the first woman to preach a sermon over the radio, who built L.I.F.E. Bible college, started her own radio station KFSG, and built and dedicated Angelus Temple in Los Angeles when she was only 32 years of age.
Charlie Chaplin advised her about her mammoth Evangelistic productions and Anthony Quinn played sax in her orchestra. Aimee Semple McPherson considered by many to have been the greatest evangelist and preacher of the 20th century --- certainly the greatest woman evangelist to have ever lived. Sister Aimee preaches again!
Baby Doe Tabor
Baby Doe Tabor (1854 - 1935) became the "Silver Queen of the West" when she captured the heart and fortunes of Senator Horace Tabor in 1880. She was born Elizabeth McCourt in Wisconsin, but made her claim to fame in Colorado where silver mining and the love of one man would form the basis of her haunting life story.
When Baby Doe married Horace Tabor, they were united for all eternity in a beautiful ceremony in Washington D.C. which was attended by U.S. Senators and even President Arthur who gave Baby Doe away. Together they created opera houses that brought great performers and orators out West. The Tabors, however, were social outcasts in Denver because Horace had divorced his first wife, Augusta, to marry Baby, but in Europe they were the toast of high society. Their grandiose life continued until the Silver Panic of 1893, when the gold standard replaced silver for currency. All the mines and properties that the Tabors owned were sold - except the Matchless Mine. At Horace's deathbed he told Baby to hold on to the Matchless because it would make her a fortune again one day.
That day never arrived but Baby Doe Tabor remained true to her husband's dying wish. She was found frozen to death in 1935 on the floor of an old tool shed near the Matchless Mine with two dollars left in her pocket.
This tale of love and scandal, of living high, and lonely waiting in order to be reunited with the great love of her life, is told through a moving drama with beautiful music. This story will touch your heart for years to come. Baby Doe Tabor is a "rags to riches", back to rags tale which recreates an exciting, bygone era in western history with exquisite music composed by Jay Stewart which highlights her love story.
Baby Doe Tabor
"The Silver Queen of the West"
(1854 - 1935)
Click here or on image for a
biography & a larger photo
Baby Doe Tabor
Baby Doe Tabor (1854 - 1935) became the "Silver Queen of the West" when she captured the heart and fortunes of Senator Horace Tabor in 1880. She was born Elizabeth McCourt in Wisconsin, but made her claim to fame in Colorado where silver mining and the love of one man would form the basis of her haunting life story.
When Baby Doe married Horace Tabor, they were united for all eternity in a beautiful ceremony in Washington D.C. which was attended by U.S. Senators and even President Arthur who gave Baby Doe away. Together they created opera houses that brought great performers and orators out West. The Tabors, however, were social outcasts in Denver because Horace had divorced his first wife, Augusta, to marry Baby, but in Europe they were the toast of high society. Their grandiose life continued until the Silver Panic of 1893, when the gold standard replaced silver for currency. All the mines and properties that the Tabors owned were sold - except the Matchless Mine. At Horace's deathbed he told Baby to hold on to the Matchless because it would make her a fortune again one day.
That day never arrived but Baby Doe Tabor remained true to her husband's dying wish. She was found frozen to death in 1935 on the floor of an old tool shed near the Matchless Mine with two dollars left in her pocket.
This tale of love and scandal, of living high, and lonely waiting in order to be reunited with the great love of her life, is told through a moving drama with beautiful music. This story will touch your heart for years to come. Baby Doe Tabor is a "rags to riches", back to rags tale which recreates an exciting, bygone era in western history with exquisite music composed by Jay Stewart which highlights her love story.
Belle Boyd, "La Belle Rebelle"
Belle Boyd (1844 - 1900) known as the "Siren of the South," and La Belle Rebelle" was the most popular confederate spy of the South during the Civil War. Belle was a courier for Generals Beauregard and Stonewall Jackson in which she used her excellent horsemanship and knowledge of the Shenandoah Valley in her espionage adventures. A Union officer said of her, "You are a rebel, and will do more harm to our cause than half the men could do".
Belle was imprisoned twice in Capital Prison in Washington D.C. and was arrested a total of six times before she fled to England where she married one of her former guards. It was there that she wrote her exciting autobiography, "Belle Boyd: In Camp and Prison", became an actress, and was widowed at the age of twenty-one. Returning to the U.S., she gave dramatic lectures on her Civil War experiences dressed in Confederate gray and wearing a hat popularized by Jeb Stuart. Belle Boyd shares her lively tale in a drama with American songs from the civil war era.
Belle Boyd, "La Belle Rebelle"
"Confederate Spy of the South"
(1844 - 1900)
Click here or on image for a biography & a larger photo
Belle Boyd, "La Belle Rebelle"
Belle Boyd (1844 - 1900) known as the "Siren of the South," and La Belle Rebelle" was the most popular confederate spy of the South during the Civil War. Belle was a courier for Generals Beauregard and Stonewall Jackson in which she used her excellent horsemanship and knowledge of the Shenandoah Valley in her espionage adventures. A Union officer said of her, "You are a rebel, and will do more harm to our cause than half the men could do".
Belle was imprisoned twice in Capital Prison in Washington D.C. and was arrested a total of six times before she fled to England where she married one of her former guards. It was there that she wrote her exciting autobiography, "Belle Boyd: In Camp and Prison", became an actress, and was widowed at the age of twenty-one. Returning to the U.S., she gave dramatic lectures on her Civil War experiences dressed in Confederate gray and wearing a hat popularized by Jeb Stuart. Belle Boyd shares her lively tale in a drama with American songs from the civil war era.
Belle Starr
Belle Starr (1848 - 1889) It's hard to say whether Belle Starr was more attracted by crime or by criminals. Her long string of husbands and lovers were all on the wrong side of the law, and Belle took to the life they led like a swan to water. Once she had reached her eminence as a western "bandit queen," the law was never able to stop her for long. It was probably one of her outlaw companions who finally gunned her down.
She was born Myra Belle Shirley at Carthage, Missouri and moved on to Texas while in her teens. Although she came from a fairly prosperous family - her father was a merchant as well as a farmer and Belle attended a private boarding school in Missouri - she was an eager companion for the bank-robber Cole Younger when he and Jesse James were hiding out in Texas in 1866. Although Younger was apparently the great love of her life - and probably the father of her daughter Pearl - Belle took up with another bank-robber, Jim Reed, when Cole left town. Her second child, Edward, was born when she and Reed were on the run in California; it was after they returned to Texas with a fortune extorted from an old Indian that she began to show off her outlaw grandeur. She combined a velvet dress with a gunbelt and a pair of six-shooters as she walked or rode her mare Venus around town.
After Reed was killed by one of his gang in 1874, Belle left her children with her mother and moved her operation into the Indian Territory (now Oklahoma). Although she went through a number of lovers in the next few years, whe was the clear leader of her gang of horse- and cattle-rustlers until she married Sam Starr. Sam must have been considered the major criminal when he was sentenced to one year in jail - and Belle to only six months - for horse-theft in 1883, but that may have only reflected the prejudices of the time. After their release, they went right back to work; after Sam's death in a drunken argument, Belle got herself another outlaw lover, Jim July. It was whiile riding home alone when July had turned himself in to face a larceny charge that Belle Starr was ambushed and shot to death.
Belle Starr
"Petticoat Desperado"
(1848 - 1889)
Click here or on image for a biography & a larger photo
Belle Starr
Belle Starr (1848 - 1889) It's hard to say whether Belle Starr was more attracted by crime or by criminals. Her long string of husbands and lovers were all on the wrong side of the law, and Belle took to the life they led like a swan to water. Once she had reached her eminence as a western "bandit queen," the law was never able to stop her for long. It was probably one of her outlaw companions who finally gunned her down.
She was born Myra Belle Shirley at Carthage, Missouri and moved on to Texas while in her teens. Although she came from a fairly prosperous family - her father was a merchant as well as a farmer and Belle attended a private boarding school in Missouri - she was an eager companion for the bank-robber Cole Younger when he and Jesse James were hiding out in Texas in 1866. Although Younger was apparently the great love of her life - and probably the father of her daughter Pearl - Belle took up with another bank-robber, Jim Reed, when Cole left town. Her second child, Edward, was born when she and Reed were on the run in California; it was after they returned to Texas with a fortune extorted from an old Indian that she began to show off her outlaw grandeur. She combined a velvet dress with a gunbelt and a pair of six-shooters as she walked or rode her mare Venus around town.
After Reed was killed by one of his gang in 1874, Belle left her children with her mother and moved her operation into the Indian Territory (now Oklahoma). Although she went through a number of lovers in the next few years, whe was the clear leader of her gang of horse- and cattle-rustlers until she married Sam Starr. Sam must have been considered the major criminal when he was sentenced to one year in jail - and Belle to only six months - for horse-theft in 1883, but that may have only reflected the prejudices of the time. After their release, they went right back to work; after Sam's death in a drunken argument, Belle got herself another outlaw lover, Jim July. It was whiile riding home alone when July had turned himself in to face a larceny charge that Belle Starr was ambushed and shot to death.
Carrie Tingley & Katherine O'Conner
Katherine Kennedy O'Conner and Carrie Wooster Tingley - Katherine brought theatre and culture to New Mexico, and Carrie brought health and hospitality to our Land of Enchantment. Both women were contemporaries of one another, and took a main-street cow town and helped to turn it into a growing metropolis, a jewel in the desert!
Both Carrie and Katherine came to Albuquerque on the train with their future husbands, and both had a respiratory illness called T.B. that required them to be in a dry climate with lots of sunshine. But few would leave behind the legacy of these two magnetic, hard-working visionaries.
The Carrie Tingley story encompasses all the humanitarian dedication that this lively red-head could bring to others who were ill and in need of a helping hand. She became the wife of Clyde Tingley and in the 1920s, '30s, and '40s she was the first lady of Albuquerque when her husband became the mayor of the city, and then when Clyde became the Governor of the state for two terms, she stood beside him as his feminine equal. Both of the Tingleys improved our state during the depression and W.W. II bringing us from a frontier mentality into the 20th century. Being friends with F.D.R. and Eleanor brought a great amount of New Deal money and a new vision into New Mexico. With the helping hand of the W.P.A. (Works Progress Administration) the dreams of the Tingleys became a reality with numerous building projects all around the state, new schools, state parks, federal buildings, even a new theatre for Albuquerque. People were finally given work during the depression and their integrity and purpose in life rose with the overwhelming support and help of the Tingleys. Specifically our lovely Carrie, having no children of her own, made the homeless and the ill her life-work helping to create the famous Carrie Tingley Hospital for children and supporting the St. Anthony School for Boys. Today the Tingley name is seen around town in many places, but sadly it has been forgotten. Once again a lively petite red-head who always wore a hat, gloves and a smile, can bring this marvelous progressive heritage and story back-to-life. Carrie Wooster Tingley will now be able to joyfully share her love of Albuquerque and New Mexico with you.
Katherine Kennedy O'Conner was a friend of Carrie Tingley and moved in the same circles, but her personality and vision were very different as she lived for the theatrical and artistic life of our state. This former Broadway actress, who had childhood dreams of becoming a stage legend, had her career cut short in the 1920s due to tuberculosis, and was immediately given the sage advice to "Go West before it is too late!" She took this advice and was followed to the "cow-town called Albuquerque... out in-the-sticks" with her fiancé James O'Conner, an Irishman also with training in the theatre. There was little for these two to explore in the area of fine arts when they arrived in 1927 except some ancient Spanish dramas which were performed in an amateur manner, mostly in Spanish, during the religious holidays in the smaller Mexican villages in New Mexico.
But a dream entered Katherine's heart when she gave a lecture about her theatrical career at a local Congregational church. There she met Irene Fischer, a newspaper woman from the Tribune, who conjured up an idea about starting a Little Theater in Albuquerque. Irene asked Katherine if she would consent to direct as well as act in a production. "I would be delighted!" was Katherine's answer, and this began her three-decade career as the executive director and founder of the Albuquerque Little Theater. It has been in continuous production of plays, and even musicals since 1930... the longest, continuously running little theatre in the country! James O'Conner became Katherine's technical director and for 37 years their legacy to Albuquerque has become an artistic and educational triumph for both the audiences and the many, many artists and workers who have graced the W.P.A. and created The Little Theatre at 224 San Pasquale near Old Town Albuquerque. One of Katherine's biggest finds was Vivian Vance who played Ethyl Mertz on I Love Lucy. Katherine's story is partially documented in a marvelous little book she authored entitled: "Theater in Cow Country". This is a lady who continues to inspire drama and hold her audiences with her adventures in community theatre!
Carrie Tingley & Katherine O'Conner
"Helped turn a main-street cow town into a desert jewel."
Click here or on image for a biography & a larger photo
Carrie Tingley & Katherine O'Conner
Katherine Kennedy O'Conner and Carrie Wooster Tingley - Katherine brought theatre and culture to New Mexico, and Carrie brought health and hospitality to our Land of Enchantment. Both women were contemporaries of one another, and took a main-street cow town and helped to turn it into a growing metropolis, a jewel in the desert!
Both Carrie and Katherine came to Albuquerque on the train with their future husbands, and both had a respiratory illness called T.B. that required them to be in a dry climate with lots of sunshine. But few would leave behind the legacy of these two magnetic, hard-working visionaries.
The Carrie Tingley story encompasses all the humanitarian dedication that this lively red-head could bring to others who were ill and in need of a helping hand. She became the wife of Clyde Tingley and in the 1920s, '30s, and '40s she was the first lady of Albuquerque when her husband became the mayor of the city, and then when Clyde became the Governor of the state for two terms, she stood beside him as his feminine equal. Both of the Tingleys improved our state during the depression and W.W. II bringing us from a frontier mentality into the 20th century. Being friends with F.D.R. and Eleanor brought a great amount of New Deal money and a new vision into New Mexico. With the helping hand of the W.P.A. (Works Progress Administration) the dreams of the Tingleys became a reality with numerous building projects all around the state, new schools, state parks, federal buildings, even a new theatre for Albuquerque. People were finally given work during the depression and their integrity and purpose in life rose with the overwhelming support and help of the Tingleys. Specifically our lovely Carrie, having no children of her own, made the homeless and the ill her life-work helping to create the famous Carrie Tingley Hospital for children and supporting the St. Anthony School for Boys. Today the Tingley name is seen around town in many places, but sadly it has been forgotten. Once again a lively petite red-head who always wore a hat, gloves and a smile, can bring this marvelous progressive heritage and story back-to-life. Carrie Wooster Tingley will now be able to joyfully share her love of Albuquerque and New Mexico with you.
Katherine Kennedy O'Conner was a friend of Carrie Tingley and moved in the same circles, but her personality and vision were very different as she lived for the theatrical and artistic life of our state. This former Broadway actress, who had childhood dreams of becoming a stage legend, had her career cut short in the 1920s due to tuberculosis, and was immediately given the sage advice to "Go West before it is too late!" She took this advice and was followed to the "cow-town called Albuquerque... out in-the-sticks" with her fiancé James O'Conner, an Irishman also with training in the theatre. There was little for these two to explore in the area of fine arts when they arrived in 1927 except some ancient Spanish dramas which were performed in an amateur manner, mostly in Spanish, during the religious holidays in the smaller Mexican villages in New Mexico.
But a dream entered Katherine's heart when she gave a lecture about her theatrical career at a local Congregational church. There she met Irene Fischer, a newspaper woman from the Tribune, who conjured up an idea about starting a Little Theater in Albuquerque. Irene asked Katherine if she would consent to direct as well as act in a production. "I would be delighted!" was Katherine's answer, and this began her three-decade career as the executive director and founder of the Albuquerque Little Theater. It has been in continuous production of plays, and even musicals since 1930... the longest, continuously running little theatre in the country! James O'Conner became Katherine's technical director and for 37 years their legacy to Albuquerque has become an artistic and educational triumph for both the audiences and the many, many artists and workers who have graced the W.P.A. and created The Little Theatre at 224 San Pasquale near Old Town Albuquerque. One of Katherine's biggest finds was Vivian Vance who played Ethyl Mertz on I Love Lucy. Katherine's story is partially documented in a marvelous little book she authored entitled: "Theater in Cow Country". This is a lady who continues to inspire drama and hold her audiences with her adventures in community theatre!
Concha Ortiz Y Pino
Concha Ortiz y Pino “Grande Dame Of 300 Year Old New Mexico Lesson” (1910-2006) de Kleven was the Matriarch of a 300 year old New Mexico Legacy. She was born only two years before statehood. In 1936 at the age of 26 Concha was the youngest American woman elected to State office serving in the New Mexico House of Representatives. By 1941 at the age of 30 she became the Democratic majority whip, the first woman to hold such a position in state government. She championed women's rights, bilingual education, and equal funding for urban and rural schools. President Kennedy appointed her to the National Council of Upward Bound, and President Johnson asked her to serve on the national commission on Architectural Barriers which helped Americans with disabilities. She also served on the National Humanities Council as an appointee of President Ford. She served on 60 community boards while managing her family's 100,000 acre ranch in Galisteo New Mexico. Thus, Concha Ortiz y Pino was a remarkable "Larger than Life" woman who had more than just a political career.
Concha Ortiz Y Pino
“Grande Dame Of 300 Year Old New Mexico Legacy”
(1910-2006)
Click here or on image for a biography & a larger photo
Concha Ortiz Y Pino
Concha Ortiz y Pino de Kleven was the Matriarch of a 300 year old New Mexico Legacy. She was born only two years before statehood. In 1936 at the age of 26 Concha was the youngest American woman elected to State office serving in the New Mexico House of Representatives. By 1941 at the age of 30 she became the Democratic majority whip, the first woman to hold such a position in state government. She championed women's rights, bilingual education, and equal funding for urban and rural schools. President Kennedy appointed her to the National Council of Upward Bound, and President Johnson asked her to serve on the national commission on Architectural Barriers which helped Americans with disabilities. She also served on the National Humanities Council as an appointee of President Ford. She served on 60 community boards while managing her family's 100,000 acre ranch in Galisteo New Mexico. Thus, Concha Ortiz y Pino was a remarkable "Larger than Life" woman who had more than just a political career.
Concha Ortiz Y Pino
Concha Ortiz y Pino “Grande Dame Of 300 Year Old New Mexico Lesson” (1910-2006) de Kleven was the Matriarch of a 300 year old New Mexico Legacy. She was born only two years before statehood. In 1936 at the age of 26 Concha was the youngest American woman elected to State office serving in the New Mexico House of Representatives. By 1941 at the age of 30 she became the Democratic majority whip, the first woman to hold such a position in state government. She championed women's rights, bilingual education, and equal funding for urban and rural schools. President Kennedy appointed her to the National Council of Upward Bound, and President Johnson asked her to serve on the national commission on Architectural Barriers which helped Americans with disabilities. She also served on the National Humanities Council as an appointee of President Ford. She served on 60 community boards while managing her family's 100,000 acre ranch in Galisteo New Mexico. Thus, Concha Ortiz y Pino was a remarkable "Larger than Life" woman who had more than just a political career.
Dolley Madison
"The First Lady Speaks Out!"
(1768 - 1849)
Click here or on image for a biography & a larger photo
Dolley Madison
Dolley Madison (1768 - 1849) Survivor of wars, intrigue, and challenges beyond the call of duty, Dolley Madison became one of the most beloved women of 19th Century America. Born a sprightly Quaker girl in the North Carolina wilderness, Dolley Payne Todd was a grieving young widow when she married James Madison, the Father of the Constitution, a future President, and the dearest love of her life. Together they would live in Philadelphia, the first seat of the Government, Washington D.C., and their beloved Montpelier estate in the heart of Virginia.
Dolley began her political career, if you will, as the confidante and best friend of Martha Washington, and Aaron Burr, among others. She was there from the beginning of our American government and acted as official hostess for eight years for President Jefferson, and became the nation's First Lady from 1809-1817. These were tremendous years of growth and change for our country with the Lewis and Clark Expedition, the Louisiana Purchase, to her personal heroism displayed during the British attack on Washington D.C. in the War of 1812.
Dolley Madison had an enthusiasm and humor that was infectious. Statesman Henry Clay exclaimed, "Everybody loves Mrs. Madison." She responded, "That's because Mrs. Madison loves everybody!" Even her husband's enemies admired Dolley's tact and diplomacy. Federalist Presidential candidate, Charles Pinckey, lamented, "I was beaten by Mr. And Mrs. Madison. I might have had a better chance had I faced Mr. Madison alone." Until her demise in 1849 at the age of 81, Dolley would become an advisor and friend of every President from Washington to President Polk.
One cannot say enough about the "wonderful Mrs. Madison," and her advice to the United States of America today to never, ever give up the fight for our Constitutional Government, and our God-given rights to live with freedom!
Dona Tules
Dona Tules - Dona Maria Gertrudes Barcelo (1804 - 1852) was the most colorful, independent, wealthy, and influential Hispanic woman in New Mexican (and Mexican) history. "La Tules" operated an elaborate gambling establishment in Santa Fe during an extremely turbulent period of history. Dona Tules played a prominent role in the events of the 1840s when Santa Fe was a bustling center of trade during the era of the Santa Fe and Chihuahua Trails. Tules assisted the Army of the West in wrestling New Mexico away from the Republic of Mexico. It was during this time that many Americanos met and wrote about her, especially one "Susanita Magoffin"! (Van Ann also protrays Susan Magoffin. To see Susan click here.)
The famous gambling hall of Dona Tules was patronized by soldiers and wagon traders, conspirators, priests and social members. All classes gambled in New Mexico - it was a natural part of life. La Tules was said to be the most expert monte dealer to be found anywhere from St. Louis to California. The Spanish card game of monte was a "game of chance," however it was her expertise with the cards that made Tules a very wealthy and influential woman who dominated the society of her day. Some say she was even "the power behind the throne" of Governor Don Manuel Armijo (the last Mexican Governor of the Province).
Dona Tules died in 1852 at the height of her glory as the favorite of New Mexico officialdom, hostess of elite parties and balls, and shrewd and astute business woman. La Tules is known to be the last person to be buried under the floor of the old parroquia church (where St. Francis cathedral now stands).
Hear the Hispanic side of this "rags-to-riches" story told from the Spanish woman's perspective with drama and music that will capture your heart.
Dona Tules
"Santa Fe's Infamous Gambling Hall Queen"
(1804 - 1852)
Click here or on image for a biography & a larger photo
Dona Tules
Dona Tules - Dona Maria Gertrudes Barcelo (1804 - 1852) was the most colorful, independent, wealthy, and influential Hispanic woman in New Mexican (and Mexican) history. "La Tules" operated an elaborate gambling establishment in Santa Fe during an extremely turbulent period of history. Dona Tules played a prominent role in the events of the 1840s when Santa Fe was a bustling center of trade during the era of the Santa Fe and Chihuahua Trails. Tules assisted the Army of the West in wrestling New Mexico away from the Republic of Mexico. It was during this time that many Americanos met and wrote about her, especially one "Susanita Magoffin"! (Van Ann also protrays Susan Magoffin.)
The famous gambling hall of Dona Tules was patronized by soldiers and wagon traders, conspirators, priests and social members. All classes gambled in New Mexico - it was a natural part of life. La Tules was said to be the most expert monte dealer to be found anywhere from St. Louis to California. The Spanish card game of monte was a "game of chance," however it was her expertise with the cards that made Tules a very wealthy and influential woman who dominated the society of her day. Some say she was even "the power behind the throne" of Governor Don Manuel Armijo (the last Mexican Governor of the Province).
Dona Tules died in 1852 at the height of her glory as the favorite of New Mexico officialdom, hostess of elite parties and balls, and shrewd and astute business woman. La Tules is known to be the last person to be buried under the floor of the old parroquia church (where St. Francis cathedral now stands).
Hear the Hispanic side of this "rags-to-riches" story told from the Spanish woman's perspective with drama and music that will capture your heart.
Jeanette MacDonald
Jeanette MacDonald (1907 - 1965) In the 1930s and 1940s Jeanette MacDonald and Nelson Eddy were known around the world as "America's Singing Sweethearts" and movie audiences adored them. Jeanette and Nelson were teamed together in "Naughty Marietta" in 1935, when the sparks they ignited made them one of the most memorable singing teams of all time. The overwhelming success of their first film together would lead to seven more, each more lavishly produced than the last. Miss MacDonald became the Princess Royal of all costume and operetta-based motion pictures through MGM. Probably no film star, before or since, wore costumes better than she, and more importantly, sang, acted, and danced more gracefully than did Jeanette MacDonald herself. The movie musicals in which Jeanette found herself are often based on operettas, which play a mojor role in the development of the "American Musical" which is an indigenous part of our musical hertiage today.
During the War years of the forties, Jeanette put in countless hours on tour entertaining servicemen, or raising money for the war effort through concert tours (especially for the Army Emergency Relief Fund).
As Jeanette MacDonald's film career waned, she remained active making radio and television appearances (the latter being a new medium, and her TV stints are early classics, filled with creativity and experimentation). She even performed with her husband, Gene Raymond, giving two command performances for the Eisenhower's at the White House. It is probable that we will never see the likes of a singing star (and team) such as MacDonald (and Eddy) again, but we can be thankful for the preservation of their work through films and recordings. Many were so touched by her charm and beauty. The audiences of the Depression years and WWII will be forever grateful to her for briinging them dreams of renewed hope.
Jeanette lives again to charm you with her life and beautiful music.
Jeanette MacDonald
"America's Movie Legend and Sweetheart"
(1907 - 1965)
Click here or on image for a biography & a larger photo
Jeanette MacDonald
Jeanette MacDonald (1907 - 1965) In the 1930s and 1940s Jeanette MacDonald and Nelson Eddy were known around the world as "America's Singing Sweethearts" and movie audiences adored them. Jeanette and Nelson were teamed together in "Naughty Marietta" in 1935, when the sparks they ignited made them one of the most memorable singing teams of all time. The overwhelming success of their first film together would lead to seven more, each more lavishly produced than the last. Miss MacDonald became the Princess Royal of all costume and operetta-based motion pictures through MGM. Probably no film star, before or since, wore costumes better than she, and more importantly, sang, acted, and danced more gracefully than did Jeanette MacDonald herself. The movie musicals in which Jeanette found herself are often based on operettas, which play a mojor role in the development of the "American Musical" which is an indigenous part of our musical hertiage today.
During the War years of the forties, Jeanette put in countless hours on tour entertaining servicemen, or raising money for the war effort through concert tours (especially for the Army Emergency Relief Fund).
As Jeanette MacDonald's film career waned, she remained active making radio and television appearances (the latter being a new medium, and her TV stints are early classics, filled with creativity and experimentation). She even performed with her husband, Gene Raymond, giving two command performances for the Eisenhower's at the White House. It is probable that we will never see the likes of a singing star (and team) such as MacDonald (and Eddy) again, but we can be thankful for the preservation of their work through films and recordings. Many were so touched by her charm and beauty. The audiences of the Depression years and WWII will be forever grateful to her for briinging them dreams of renewed hope.
Jeanette lives again to charm you with her life and beautiful music.
Jessie Benton Fremont
“StatesWomen & Wife of the “GreatPathFinder” John C. Freemont” (1824-1902)
For Jessie Benton Fremont, the idea of "Manifest Destiny" was her passion. The phrase originated from her father Senator Thomas Hart Benton. But it was her husband, John Charles Fremont the famous explorer known as the great "Pathfinder," who made it a reality. The vivacious, strong-willed and beautiful Jessie became a prolific writer starting with putting John Fremont's Western Expeditions into print. Jessie was also born for politics. Her husband became a Governor of Arizona, the first Senator of California, and the first Republican to run for President of the United States in 1856. Together they brandished an anti-slavery platform. Throughout her life she was in contact with influential abolitionists, women's rights advocates and influential politicians. She spent most of her life traveling with her husband and writing about her experiences.
Jessie Benton Fremont
“States Woman & Wife of the “Great Path Finder” John C. Freemont”
(1824-1902)
Click here or on image for a biography & a larger photo
Jessie Benton Fremont
For Jessie Benton Fremont, the idea of "Manifest Destiny" was her passion. The phrase originated from her father Senator Thomas Hart Benton. But it was her husband, John Charles Fremont the famous explorer known as the great "Pathfinder," who made it a reality. The vivacious, strong-willed and beautiful Jessie became a prolific writer starting with putting John Fremont's Western Expeditions into print. Jessie was also born for politics. Her husband became a Governor of Arizona, the first Senator of California, and the first Republican to run for President of the United States in 1856. Together they brandished an anti-slavery platform. Throughout her life she was in contact with influential abolitionists, women's rights advocates and influential politicians. She spent most of her life traveling with her husband and writing about her experiences.
Jenny Lind
Jenny Lind (1828 - 1887) became a legendary singer and household name in the 19th Century on the European and American continents. From the time of her operatic debut in Stockholm, until the end of her life, she would forever be known as "The Swedish Nightingale" because of her glorious vioce. Jenny toured throughout Europe and England, but it was under the auspices of P.T. Barnum, "The Great Showman" that she became the first singing star to capture the hearts of Americans.
But at the height of her success, in her early twenties, tragedy struck when the golden voice began to fail. Jenny was forced to overcome her intense timidity and leave her beloved Sweden for Paris where she would study voice with the great Manuel Garcia. She eventually made her voice more beautiful than ever and continued her singing with triumphs in Germany, Austria, England, and finally America. Jenny retired from the operatic stage at the age of twenty-nine with thrirty-two roles to her credit. However, when she toured America under the auspices of P.T. Barnum, Jenny Lind left an indelible mark upon our American musical history - for Jenny was known for years afterwards as the greatest singer to set foot upon our soil! It was in Boston, in a secret ceremony in 1852, that she married her German accompanist, Otto Goldschmidt.
The remainder of her life was spent with Otto and her three children in England where they finally made their home. It was there that Jenny would continue to appear in concerts, and her beloved oratorios. Because Jenny Lind was a deeply religious and very charitable woman, she retired from theatrical roles very early in her career. At that time theatre was considered "inappropriate" for religious young women. Jenny later worked in the capacity of a professor of singing at the Royal College of Music.
Jenny Lind's beautiful and generous spirit is an inspiration for audiences of all ages. Her repertoire of music is an indelible part of this re-creation.
For a unique Winter Holiday Show, join Jenny Lind for a journey down memory lane as she shares stories of her life and the many Christmas customs, music and traditions from around the world.
Jenny Lind
P.T. Barnum's "Swedish Nightingale"
(1828 - 1887)
Click here or on image for a biography & a larger photo
Jenny Lind
Jenny Lind (1828 - 1887) became a legendary singer and household name in the 19th Century on the European and American continents. From the time of her operatic debut in Stockholm, until the end of her life, she would forever be known as "The Swedish Nightingale" because of her glorious vioce. Jenny toured throughout Europe and England, but it was under the auspices of P.T. Barnum, "The Great Showman" that she became the first singing star to capture the hearts of Americans.
But at the height of her success, in her early twenties, tragedy struck when the golden voice began to fail. Jenny was forced to overcome her intense timidity and leave her beloved Sweden for Paris where she would study voice with the great Manuel Garcia. She eventually made her voice more beautiful than ever and continued her singing with triumphs in Germany, Austria, England, and finally America. Jenny retired from the operatic stage at the age of twenty-nine with thrirty-two roles to her credit. However, when she toured America under the auspices of P.T. Barnum, Jenny Lind left an indelible mark upon our American musical history - for Jenny was known for years afterwards as the greatest singer to set foot upon our soil! It was in Boston, in a secret ceremony in 1852, that she married her German accompanist, Otto Goldschmidt.
The remainder of her life was spent with Otto and her three children in England where they finally made their home. It was there that Jenny would continue to appear in concerts, and her beloved oratorios. Because Jenny Lind was a deeply religious and very charitable woman, she retired from theatrical roles very early in her career. At that time theatre was considered "inappropriate" for religious young women. Jenny later worked in the capacity of a professor of singing at the Royal College of Music.
Jenny Lind's beautiful and generous spirit is an inspiration for audiences of all ages. Her repertoire of music is an indelible part of this re-creation.
For a unique Winter Holiday Show, join Jenny Lind for a journey down memory lane as she shares stories of her life and the many Christmas customs, music and traditions from around the world.
Libby Custer
Elizabeth Bacon Custer (1842 - 1933) was the only surviving child of a prominent Michigan judge. From her father's adoring care and protection, "Libby" wed her famous husband, George Armstrong Custer. They met when he was on leave during the Civil War, and married in 1864. Libby Custer accompanied her husband riding in the ranks everywhere he was stationed: from the front lines in Virginia - where he became a Major General - to postwar assignments in Texas, Kansas and the Dokata Territory where she would learn of his famous "last stand." Althought Elizabeth lived fifty-seven years after her husband's death, she kept her marriage vows, fulfilling what she believed were her responsibilities as "the widow of a national hero" by lecturing around the world, and writing three outstanding books about her experiences with her beloved "Autie", who was the sunshine of her life.
Libby and Autie wove one of the truly great love stories in history. Their underlying devotion to each other was the reason why she was the only officer's wife to live in a tent on the edges of Civil War battlefields, ride in the ranks with the soldiers, and accompany the 7th Cavalry on many of its expeditions in the conguering of the West. During those adventures, whe wore her own uniformed dresses to show her dedication to the famed 7th Cavalry as it was stationed in the wilds of Kansas and the Dakotas.
Forever a heated topic for debate, the controversy of George Armstrong Custer and his influence on the West necessitates that LIbby perpetually ride the plains to clarify how the West was really, or mythically won. Libby Custer is brought to life through a warm and touching drama with Americana flavor.
Libby Custer
"Boots and Saddles:" The Life and Times of General Custer's Wife
(1842 - 1933)
Click here or on image for a
biography & a larger photo
Libby Custer
Elizabeth Bacon Custer (1842 - 1933) was the only surviving child of a prominent Michigan judge. From her father's adoring care and protection, "Libby" wed her famous husband, George Armstrong Custer. They met when he was on leave during the Civil War, and married in 1864. Libby Custer accompanied her husband riding in the ranks everywhere he was stationed: from the front lines in Virginia - where he became a Major General - to postwar assignments in Texas, Kansas and the Dokata Territory where she would learn of his famous "last stand." Althought Elizabeth lived fifty-seven years after her husband's death, she kept her marriage vows, fulfilling what she believed were her responsibilities as "the widow of a national hero" by lecturing around the world, and writing three outstanding books about her experiences with her beloved "Autie", who was the sunshine of her life.
Libby and Autie wove one of the truly great love stories in history. Their underlying devotion to each other was the reason why she was the only officer's wife to live in a tent on the edges of Civil War battlefields, ride in the ranks with the soldiers, and accompany the 7th Cavalry on many of its expeditions in the conguering of the West. During those adventures, whe wore her own uniformed dresses to show her dedication to the famed 7th Cavalry as it was stationed in the wilds of Kansas and the Dakotas.
Forever a heated topic for debate, the controversy of George Armstrong Custer and his influence on the West necessitates that LIbby perpetually ride the plains to clarify how the West was really, or mythically won. Libby Custer is brought to life through a warm and touching drama with Americana music.
Lillian Russell
Lillian Russell (1861 - 1922) was an "American Beauty" who represented the Golden Era of the American Musical Theatre and charmed theater goers for over forty years. She was, however, not only an actress and singer with exceptional talents, but a bright, educated woman who worked as an activist raising social consciousness in many areas. Her mother was an early suffragette who worked hand-in-hand with Susan B. Anthony. Lillian would later take up their cause for women's rights later in her career. She worked on behalf of actor's rights as well, and was instrumental in starting the concept of actor's equity.
Later in her life she would expound upon her own philosophy in her syndicated newspaper column. It was one of the first self-help/advice columns ever published where Lillian touted having an educated mind, a cheerful attitude, and physical fitness at all times! The latter seems incongruous with her vuluptuoius hourglass figure, however it was she who took up bicycle riding with her longtime friend Diamond Jim Brady (hence her title of "Diamond Lil.")! They made quite a pair as they cycled around Central Park on their gold plated, diamond encrusted "exercise mobiles!" When Lillian toured the United States she would alight from her opulent train car wearing her most elegant plumes and richest gowns, anything to entertain! Lillian had musicals and songs written for her, and was an "American Original" even starring in a movie ("Wildfire") with John Barrymore. From a romatic bygone era Lillian paved the way for women today by upholding a standard for beauty, talent, freedom, and education. This is a dramatic show featuring songs that delighted Lillian's audiences a century ago and will do the same once again.
Lillian Russell
"AKA Diamond Lil. America's first Music Theatre Star"
(1861 - 1922)
Click here or on image for a biography & a larger photo
Lillian Russell
Lillian Russell (1861 - 1922) was an "American Beauty" who represented the Golden Era of the American Musical Theatre and charmed theater goers for over forty years. She was, however, not only an actress and singer with exceptional talents, but a bright, educated woman who worked as an activist raising social consciousness in many areas. Her mother was an early suffragette who worked hand-in-hand with Susan B. Anthony. Lillian would later take up their cause for women's rights later in her career. She worked on behalf of actor's rights as well, and was instrumental in starting the concept of actor's equity.
Later in her life she would expound upon her own philosophy in her syndicated newspaper column. It was one of the first self-help/advice columns ever published where Lillian touted having an educated mind, a cheerful attitude, and physical fitness at all times! The latter seems incongruous with her vuluptuoius hourglass figure, however it was she who took up bicycle riding with her longtime friend Diamond Jim Brady (hence her title of "Diamond Lil.")! They made quite a pair as they cycled around Central Park on their gold plated, diamond encrusted "exercise mobiles!" When Lillian toured the United States she would alight from her opulent train car wearing her most elegant plumes and richest gowns, anything to entertain! Lillian had musicals and songs written for her, and was an "American Original" even starring in a movie ("Wildfire") with John Barrymore. From a romatic bygone era Lillian paved the way for women today by upholding a standard for beauty, talent, freedom, and education. This is a dramatic show featuring songs that delighted Lillian's audiences a century ago and will do the same once again.
Lillie Langtree
Lillie Langtree (1853 - 1929) was deliciously naughty, exceptionally beautiful, and recognized as America's first imported superstar. She was born on the Isle of Jersey, off the coast of England in 1853, and became one of the most elegant and sought-after women of the era.
"The Jersey Lily", or Lillie Langtree, was the first lady of high society to go upon the stage in Great Britain, becoming an intimate lifelong friend to the Prince of Wales, the future King Edward VII.
As an actress she toured the British Isles, South America, and the United States. She not only became a sensation as she toured our country in her "Cleopatra's Barge" (her opulent train car), but a dual citizen, buying a house in New York and a ranch in California! Lillie Langtree's great beauty and charm attracted poets, writers, painters and photographers all around the world. They all painted her portrait, wrote plays and poems about her (such as her friend, Oscar Wilde), and used her photographs for commercial purposes. In actuality her beauty, social standing and scandals may have given her more attention than her acting ability! Still she took her performing seriously and studied under her friend, "The Great Sarah Bernhardt." (Van Ann also portrays Sarah Bernhardt.) Lillie was one of the first women to start her own theatre company and managed a professional troupe with incredible business and artistic acumen for years. She also wrote and staged her own plays, wrote her autobiography and a novel as well. Lillie was adored by none other than our own Judge Roy Bean who memorialized her by naming a town (Langtree, Texas) and his saloon (The Jersey Lily) after her!
Meet Miss Lillie as the Royals knew her: at her charming best with music and drama to embellish her tale and his saloon (The Jersy Lily) after her!.
Lillie Langtree
The Prince of Wales' Beloved "Jersey Lily"
(1853 - 1929)
Click here or on image for a
biography & a larger photo
Lillie Langtree
Lillie Langtree (1853 - 1929) was deliciously naughty, exceptionally beautiful, and recognized as America's first imported superstar. She was born on the Isle of Jersey, off the coast of England in 1853, and became one of the most elegant and sought-after women of the era.
"The Jersey Lily", or Lillie Langtree, was the first lady of high society to go upon the stage in Great Britain, becoming an intimate lifelong friend to the Prince of Wales, the future King Edward VII.
As an actress she toured the British Isles, South America, and the United States. She not only became a sensation as she toured our country in her "Cleopatra's Barge" (her opulent train car), but a dual citizen, buying a house in New York and a ranch in California! Lillie Langtree's great beauty and charm attracted poets, writers, painters and photographers all around the world. They all painted her portrait, wrote plays and poems about her (such as her friend, Oscar Wilde), and used her photographs for commercial purposes. In actuality her beauty, social standing and scandals may have given her more attention than her acting ability! Still she took her performing seriously and studied under her friend, "The Great Sarah Bernhardt." (Van Ann also portrays Sarah Bernhardt.) Lillie was one of the first women to start her own theatre company and managed a professional troupe with incredible business and artistic acumen for years. She also wrote and staged her own plays, wrote her autobiography and a novel as well. Lillie was adored by none other than our own Judge Roy Bean who memorialized her by naming a town (Langtree, Texas) and his saloon (The Jersey Lily) after her!
Meet Miss Lillie as the Royals knew her: at her charming best with music and drama to embellish her tale and his saloon (The Jersy Lily) after her!.
Lydia Spencer Lane
Lydia Spencer Lane (1835-1914) is one of only a few women who have written about her life as an Army wife. She lived throughout the isolated southwestern frontier, and through her eyes we receive an education of the charms and challenges of life at an Army Camp in the 1800s. For sixteen years, Lydia crossed the Great Plains by wagon seven times, traveled 8,000 miles, raised three children, and became accustomed to tours of duty that required the family to move at least every six months to a different set of frontier military forts, across New Mexico and Texas.
At the time Lydia Spencer married Lt. William Bartlett Lane in May of 1854 in Carlisle Pennsylvania, the southwest was part of the U.S. for less than a decade. Among one of the most prominent symbols of Western life were the Army Forts, erected to protect the citizens from Indian deprivations. Travel was exceedingly dangerous for the unwary. New Mexico and Texas were thinly populated in small Hispanic settlements along the Rio Grande, and other fertile rivers and streams. Only six Anglo American women had arrived in Santa Fe by 1853. Lydia Lane arrived in Santa Fe only three years later, and was one of the first to experience military life out west.
From 1854-1870, Lydia recounts that her experiences "were not all together unpleasant," although she was one of only a handful of women at each post of duty, and was constantly on the lookout for Indians as she traveled. The Lanes would live at Fort Union several times, at Fort Stanton in 1848, Fort Bliss in El Paso Texas, and Fort Craig just south of Socorro, New Mexico, to name a few. In 1861 Lt. Lane took command of Fort Fillmore, twenty miles from the Texas-New Mexico border during a most uneasy period of divided loyalties, the American Civil War. There would be future skirmishes and battles in New Mexico that would decide whether the West would become Union or Confederate! It would be during the year of 1870 that Lydia would finally write: "Colonel Lane was retired from active service to my great grief."
Through the eyes of Lydia Spencer Lane you will travel from one Military Post to another, and relive one woman's determination to live with ingenuity no matter where her life's duty took her!
Lydia Spencer Lane
"I Married a Soldier"
(1835-1914)
Click here or on image for a biography & a larger photo
Lydia Spencer Lane
Lydia Spencer Lane (1835-1914) is one of only a few women who have written about her life as an Army wife. She lived throughout the isolated southwestern frontier, and through her eyes we receive an education of the charms and challenges of life at an Army Camp in the 1800s. For sixteen years, Lydia crossed the Great Plains by wagon seven times, traveled 8,000 miles, raised three children, and became accustomed to tours of duty that required the family to move at least every six months to a different set of frontier military forts, across New Mexico and Texas.
At the time Lydia Spencer married Lt. William Bartlett Lane in May of 1854 in Carlisle Pennsylvania, the southwest was part of the U.S. for less than a decade. Among one of the most prominent symbols of Western life were the Army Forts, erected to protect the citizens from Indian deprivations. Travel was exceedingly dangerous for the unwary. New Mexico and Texas were thinly populated in small Hispanic settlements along the Rio Grande, and other fertile rivers and streams. Only six Anglo American women had arrived in Santa Fe by 1853. Lydia Lane arrived in Santa Fe only three years later, and was one of the first to experience military life out west.
From 1854-1870, Lydia recounts that her experiences "were not all together unpleasant," although she was one of only a handful of women at each post of duty, and was constantly on the lookout for Indians as she traveled. The Lanes would live at Fort Union several times, at Fort Stanton in 1848, Fort Bliss in El Paso Texas, and Fort Craig just south of Socorro, New Mexico, to name a few. In 1861 Lt. Lane took command of Fort Fillmore, twenty miles from the Texas-New Mexico border during a most uneasy period of divided loyalties, the American Civil War. There would be future skirmishes and battles in New Mexico that would decide whether the West would become Union or Confederate! It would be during the year of 1870 that Lydia would finally write: "Colonel Lane was retired from active service to my great grief."
Through the eyes of Lydia Spencer Lane you will travel from one Military Post to another, and relive one woman's determination to live with ingenuity no matter where her life's duty took her!
Mamie Aguirre- "Southern Belle"
Mary (Mamie) Bier Bernard Aguirre (1844 - 1906) is the newest star on the Santa Fe and the Camino Real Trails. Mamie is a recently hailed pioneer whose exciting life story has just been published as "Journey of the Heart" by Annette Gray. Her extraordinary life of courage, talent, humor and determination will thrill audiences of all ages. Even historian Marc Simons is thrilled that her journals and life story are being recreated.
Mamie Aguirre was an avid journalist who would make numerous journeys up and down the Santa Fe Trail and the Camino Real into the heartland of New Mexico Territory. She would eventually live and be a major part of life in Las Vegas, Fort Union, Santa Fe, Albuquerque, and especially Las Cruces where she would live in the proverbial large adobe hacienda with her husband Don Epifanio Aguirre. In time her journey would lead Mamie into the vicinity of Tucson where she would become the first female Professor of Spanish and History at the University of Arizona.
When Mamie was born in Westport Missouri in 1844 she grew up as a wealthy Scarlet O'Hara kind of young woman who would know all the comforts of a Southern-style home. She attended finishing school in Maryland. But by the age of 16, upon her return to Missouri, the Civil War disrupted all that Mamie Bernard had grown up with. In her youthful enthusiasm, however, she recreated and flew the first Confederate flag causing a riot! It was during this terror filled time that a young Mexican freighter rescued our Southern Belle and made her his wife in 1862.
Epifanio and Mamie Aguirre headed down the Santa Fe Trail from Westport after their first child was born. Fortunately their own personal wagons were detained for a short time. Three days later, to Mamie's horror, they came upon their freight wagons which had preceded them, and discovered they had all been plundered and burned by Indian raiders. This would be one of the many escapes from tragedy for our heroine. Mamie would also have memories of Geronimo's uprising, Wyatt Earpp's gunfights, and know personally the outlaws called the Jesse James gang and the Younger brother’s gang.
For six exciting years the Aguirre family would make their home in the Old Mesilla area, near Las Cruces, and Mamie would often travel with her young husband as he freighted his goods up and down the trail. But in 1869 this enterprising family lost their business due to a fire and Indian raids. Shortly after this, in 1870, Apaches killed Epifanio, the love of Mamie's life. She was left with a broken heart and three young sons to raise. To care for her family, Mamie became a teacher in the proverbial one-room school house with "the most unruly girls God ever let live!" Her adventures out west continued in Arizona where in 1896 Mamie was honored by becoming the first woman professor at the University of Arizona in Tucson.
Today, the Aguirre descendants continue to thrive in both New Mexico and Arizona. They have all been baptized in the same Christening gown that Mamie's first child wore in Old Mesilla in 1864. Mamie's silver tea service, which was a gift from her beloved Epifanio, is still used by the family as a symbol of the young lovers who set out on a "journey of the heart" so many years ago.
Mamie Aguirre- "Southern Belle"
"Newest star on the Santa Fe Trail"
(1844 - 1906)
Click here or on image for a
biography & a larger photo
Mamie Aguirre- "Southern Belle"
Mary (Mamie) Bier Bernard Aguirre (1844 - 1906) is the newest star on the Santa Fe and the Camino Real Trails. Mamie is a recently hailed pioneer whose exciting life story has just been published as "Journey of the Heart" by Annette Gray. Her extraordinary life of courage, talent, humor and determination will thrill audiences of all ages. Even historian Marc Simons is thrilled that her journals and life story are being recreated.
Mamie Aguirre was an avid journalist who would make numerous journeys up and down the Santa Fe Trail and the Camino Real into the heartland of New Mexico Territory. She would eventually live and be a major part of life in Las Vegas, Fort Union, Santa Fe, Albuquerque, and especially Las Cruces where she would live in the proverbial large adobe hacienda with her husband Don Epifanio Aguirre. In time her journey would lead Mamie into the vicinity of Tucson where she would become the first female Professor of Spanish and History at the University of Arizona.
When Mamie was born in Westport Missouri in 1844 she grew up as a wealthy Scarlet O'Hara kind of young woman who would know all the comforts of a Southern-style home. She attended finishing school in Maryland. But by the age of 16, upon her return to Missouri, the Civil War disrupted all that Mamie Bernard had grown up with. In her youthful enthusiasm, however, she recreated and flew the first Confederate flag causing a riot! It was during this terror filled time that a young Mexican freighter rescued our Southern Belle and made her his wife in 1862.
Epifanio and Mamie Aguirre headed down the Santa Fe Trail from Westport after their first child was born. Fortunately their own personal wagons were detained for a short time. Three days later, to Mamie's horror, they came upon their freight wagons which had preceded them, and discovered they had all been plundered and burned by Indian raiders. This would be one of the many escapes from tragedy for our heroine. Mamie would also have memories of Geronimo's uprising, Wyatt Earpp's gunfights, and know personally the outlaws called the Jesse James gang and the Younger brother’s gang.
For six exciting years the Aguirre family would make their home in the Old Mesilla area, near Las Cruces, and Mamie would often travel with her young husband as he freighted his goods up and down the trail. But in 1869 this enterprising family lost their business due to a fire and Indian raids. Shortly after this, in 1870, Apaches killed Epifanio, the love of Mamie's life. She was left with a broken heart and three young sons to raise. To care for her family, Mamie became a teacher in the proverbial one-room school house with "the most unruly girls God ever let live!" Her adventures out west continued in Arizona where in 1896 Mamie was honored by becoming the first woman professor at the University of Arizona in Tucson.
Today, the Aguirre descendants continue to thrive in both New Mexico and Arizona. They have all been baptized in the same Christening gown that Mamie's first child wore in Old Mesilla in 1864. Mamie's silver tea service, which was a gift from her beloved Epifanio, is still used by the family as a symbol of the young lovers who set out on a "journey of the heart" so many years ago.
Martha Washington
Martha Washington (1731 - 1802) grew up as Martha Dandridge on a plantation in Virginia, and was a young widow with two children when she met and married George Washington. Working together they took part in the founding of the greatest nation in history.
The exciting and often dangerous days of the American revolutionary war add background to the life story of this remarkable woman. Often working alongside her husband, she experienced with him hunger, bitter cold, and other great hardships. Lady Washington, as she was called, stayed at army headquarters for eight winters, doing everything she could to nurse and help the discouraged soldiers.
After the war was over, Martha Washington set her own traditions as wife of the first President of the United States. With generous hospitality, dignity and reserve she entertained at receptions and balls, establishing a model for the first ladies who followed her.
The only weakness in her character would be an excessive fear concerning her family when either absent or ill. But primarily one could say about this stable woman that "She looketh well to the ways of her household and eateth not the bread of idleness ..." (Proverbs). And it would be her great stability, her abundant common sense and cheerfulness which would support and sustain her husband throughout a war and two terms as President of the United States.
Vignettes of Martha's family life at Mount Vernon with her children and grandchildren, her happy marriage, and her last years surrounded by friends and neighbors, especially at Mount Vernon, provide a perfect introduction to the life of America's first First Lady. Martha should be called the "Mother of our Country" because she was a strong parallel to the great man she married; she was a gracious and sensible woman through whom we can see anew how the United States evolved and through her eyes we can experience the man she adored, and whom we call the "Father of our Country."
Martha Washington
"America's First First Lady"
(1731 - 1802)
Click here or on image for a biography & a larger photo
Martha Washington
Martha Washington (1731 - 1802) grew up as Martha Dandridge on a plantation in Virginia, and was a young widow with two children when she met and married George Washington. Working together they took part in the founding of the greatest nation in history.
The exciting and often dangerous days of the American revolutionary war add background to the life story of this remarkable woman. Often working alongside her husband, she experienced with him hunger, bitter cold, and other great hardships. Lady Washington, as she was called, stayed at army headquarters for eight winters, doing everything she could to nurse and help the discouraged soldiers.
After the war was over, Martha Washington set her own traditions as wife of the first President of the United States. With generous hospitality, dignity and reserve she entertained at receptions and balls, establishing a model for the first ladies who followed her.
The only weakness in her character would be an excessive fear concerning her family when either absent or ill. But primarily one could say about this stable woman that "She looketh well to the ways of her household and eateth not the bread of idleness ..." (Proverbs). And it would be her great stability, her abundant common sense and cheerfulness which would support and sustain her husband throughout a war and two terms as President of the United States.
Vignettes of Martha's family life at Mount Vernon with her children and grandchildren, her happy marriage, and her last years surrounded by friends and neighbors, especially at Mount Vernon, provide a perfect introduction to the life of America's first First Lady. Martha should be called the "Mother of our Country" because she was a strong parallel to the great man she married; she was a gracious and sensible woman through whom we can see anew how the United States evolved and through her eyes we can experience the man she adored, and whom we call the "Father of our Country."
Molly Brown
Molly Brown (1867 - 1932), also known officially as Margaret Tobin Brown, became the heroine of the 1912 sinking of the Titanic when her brazen, outspoken, forceful nature kept people in lifeboat number 6 alive. Later she offered friendship and money to scared immigrant survivors to help them get a start in America. Asked why she did not drown, she said simply, "I'm unsinkable”.
Despite her fondest wishes, few called her "Molly" until after her death in 1932. For years she tried unsuccessfully to buy happiness and a place in Denver society, but her crude manner and penchant for fantasy often made her a laughing stock. As a philanthropist, however, Molly was successful despite her rough manner. She will always be remembered in the U.S. and Europe as the woman with a "heart as big as a ham!"
The outrageous Mrs. Brown wasn't called "the Unsinkable Molly Brown" in her lifetime, but it was the 1960s Broadway musical and movie (the latter starring the talented Debbie Reynolds) that glamorized her life, and made her name a household word. But Maggie Brown's life did not have to be fictionalized to be made interesting. She was a remarkable woman who worked tirelessly for women's and children's rights, ran for the Colorado Senate, and organized and raised money for many charitable causes. Mollies' life was touched by several major events of the late 1800s and early 1900s: the Gold Rush to the West, the "rags-to-riches" transformations that shaped a national consciousness, the tragedy of the Titanic, the social climbing of the nouveau riche, and the life-style enjoyed by millionaires in America's "Gilded Age." These stories recapture our imagination again.
The legend goes on and on. Molly Brown is musically and dramatically unsinkable!
Molly Brown
The Titanic's "Unsinkable Heroine"
(1867 - 1932)
Click here or on image for a biography & a larger photo
Molly Brown
Molly Brown (1867 - 1932), also known officially as Margaret Tobin Brown, became the heroine of the 1912 sinking of the Titanic when her brazen, outspoken, forceful nature kept people in lifeboat number 6 alive. Later she offered friendship and money to scared immigrant survivors to help them get a start in America. Asked why she did not drown, she said simply, "I'm unsinkable”.
Despite her fondest wishes, few called her "Molly" until after her death in 1932. For years she tried unsuccessfully to buy happiness and a place in Denver society, but her crude manner and penchant for fantasy often made her a laughing stock. As a philanthropist, however, Molly was successful despite her rough manner. She will always be remembered in the U.S. and Europe as the woman with a "heart as big as a ham!"
The outrageous Mrs. Brown wasn't called "the Unsinkable Molly Brown" in her lifetime, but it was the 1960s Broadway musical and movie (the latter starring the talented Debbie Reynolds) that glamorized her life, and made her name a household word. But Maggie Brown's life did not have to be fictionalized to be made interesting. She was a remarkable woman who worked tirelessly for women's and children's rights, ran for the Colorado Senate, and organized and raised money for many charitable causes. Mollies' life was touched by several major events of the late 1800s and early 1900s: the Gold Rush to the West, the "rags-to-riches" transformations that shaped a national consciousness, the tragedy of the Titanic, the social climbing of the nouveau riche, and the life-style enjoyed by millionaires in America's "Gilded Age." These stories recapture our imagination again.
The legend goes on and on. Molly Brown is musically and dramatically unsinkable!
Sarah Bernhardt
Sarah Bernhardt (1844 - 1923) made her debut at the Theatre de Francais in 1862. Her final performance sixty-one years later took place in her own magnificent "Sarah Bernhardt Theatre" which is still in Paris today. During her lifetime Sarah immortalized her name by becoming one of the greatest performers in history. Bernhardt could so identify herself with any part that her fury on stage struck terror into the most placid audience, and her pathos touched kings and queens around the world (even though she spoke only in her native French!).
Because Sarah grew up as the neglected daughter of a famous courtesan, she searched for love all of her life. She had one disastrous marriage, many intimate friends and lovers, and a son (Maurice Bernhardt) for whom she continued to perform around the world in order to keep him in high style. Maurice was the one true devotion of her life ... her "raison d'etre."
Audiences flocked to her performances as she toured with a classical repertoire of 132 roles, such as Tosca, Phaedra, Adrienne Lecouvreur, Lady Macbeth, and Margaret in "Les Dames Aux Camillas". Bernhardt was not only the manager of her own theatre company, but a sculptress, a painter, a novelist and playwright - an immense talent. "Sarah Bernhardt may prove the greatest marvel of the 19th century."
This dramatic portrayal includes classical vocal music inspired by her performances. Bernhardt was indeed divine... life in the theatre today seems pale in comparison and yet her greatest act was life itself.
Sarah Bernhardt
"La Divine:" The Greatest Actress in the World
(1844 - 1923)
Click here or on image for a biography & a larger photo
Sarah Bernhardt
Sarah Bernhardt (1844 - 1923) made her debut at the Theatre de Francais in 1862. Her final performance sixty-one years later took place in her own magnificent "Sarah Bernhardt Theatre" which is still in Paris today. During her lifetime Sarah immortalized her name by becoming one of the greatest performers in history. Bernhardt could so identify herself with any part that her fury on stage struck terror into the most placid audience, and her pathos touched kings and queens around the world (even though she spoke only in her native French!).
Because Sarah grew up as the neglected daughter of a famous courtesan, she searched for love all of her life. She had one disastrous marriage, many intimate friends and lovers, and a son (Maurice Bernhardt) for whom she continued to perform around the world in order to keep him in high style. Maurice was the one true devotion of her life ... her "raison d'etre."
Audiences flocked to her performances as she toured with a classical repertoire of 132 roles, such as Tosca, Phaedra, Adrienne Lecouvreur, Lady Macbeth, and Margaret in "Les Dames Aux Camillas". Bernhardt was not only the manager of her own theatre company, but a sculptress, a painter, a novelist and playwright - an immense talent. "Sarah Bernhardt may prove the greatest marvel of the 19th century."
This dramatic portrayal includes classical vocal music inspired by her performances. Bernhardt was indeed divine... life in the theatre today seems pale in comparison and yet her greatest act was life itself.
Susan Magoffin
Susan Shelby Magoffin (1827 - 1855) was only a young bride when she set out with her husband, Samuel Magoffin, from Independence Missouri to Chihuahua Mexico on one of the most memorable frontier journeys ever made by an American woman along the Santa Fe and Chihuahua Trails.
This journey was an extended "honeymoon safari" since Susan was only a bride of 18 when they departed in June of 1846. This rugged journey took the Magoffin wagon train across the great plains of Kansas and Colorado, down through the mountains of New Mexico to the capitol of Santa Fe, where Susan stayed for six weeks. Their journey continued along the Rio Grande river to El Paso del Norte, and then south to Chihuahua for a stay of several months. Susan Magoffin rejoined her family in Kentucky fifteen months later, and was hailed as the first Anglo woman to ever traverse the Santa Fe trail. However, the rigors of losing two babies, coming down with the yellow fever, and the severe conditions of travel on the trail took a toll on her health, and Susan magoffin passed away at the age of twenty-eight.
We have in-depth information about this wonderful journey because Susan kept an excellent journal of her travels. She took her famous journey at a very critical time in our growing history because the year between 1846 and 1847 was one of the busiest years of trade from the Eastern United States to the West, and most especially because this was the time of the great Mexican-American War. Susan Magoffin wrote about the people and events that would change the course of history and make Manifest Destiny a reality. The Magoffins traveled under the protection of the advancing Army of the West which would conquer the Mexican provinces of New Mexico all the way to California.
Susan Magoffin is willing to travel down the trail once again to visit with you, and share her wonderful journey. Her tale is told with an Anglo woman's perspective as a personable, warm drama with music.
Susan Magoffin
"The First Lady of the Santa Fe Trail"
(1827 - 1855)
Click here or on image for a
biography & a larger photo
Susan Magoffin
Susan Shelby Magoffin (1827 - 1855) was only a young bride when she set out with her husband, Samuel Magoffin, from Independence Missouri to Chihuahua Mexico on one of the most memorable frontier journeys ever made by an American woman along the Santa Fe and Chihuahua Trails.
This journey was an extended "honeymoon safari" since Susan was only a bride of 18 when they departed in June of 1846. This rugged journey took the Magoffin wagon train across the great plains of Kansas and Colorado, down through the mountains of New Mexico to the capitol of Santa Fe, where Susan stayed for six weeks. Their journey continued along the Rio Grande river to El Paso del Norte, and then south to Chihuahua for a stay of several months. Susan Magoffin rejoined her family in Kentucky fifteen months later, and was hailed as the first Anglo woman to ever traverse the Santa Fe trail. However, the rigors of losing two babies, coming down with the yellow fever, and the severe conditions of travel on the trail took a toll on her health, and Susan magoffin passed away at the age of twenty-eight.
We have in-depth information about this wonderful journey because Susan kept an excellent journal of her travels. She took her famous journey at a very critical time in our growing history because the year between 1846 and 1847 was one of the busiest years of trade from the Eastern United States to the West, and most especially because this was the time of the great Mexican-American War. Susan Magoffin wrote about the people and events that would change the course of history and make Manifest Destiny a reality. The Magoffins traveled under the protection of the advancing Army of the West which would conquer the Mexican provinces of New Mexico all the way to California.
Susan Magoffin is willing to travel down the trail once again to visit with you, and share her wonderful journey. Her tale is told with an Anglo woman's perspective as a personable, warm drama with music.
West By Rail With The Harvey Girls
All Aboard! Pioneer women traveling west began with their families in lumbering wagons following the Great Trails. This Western migration was continued by rail with a new breed of independent women from the 1880’s through the mid- twentieth century. This is their story!
Instead of traveling West with oxen and mule-power, the Railroads and Fred Harvey encouraged young adventurous women to board an Iron Horse across a desolate continent to new opportunities and homes. Advertisements across the East coast lured these women to responsible positions in newly built, and finely run restaurants and hotels along the Atchison, Topeka and Santa Fe Railway line. Western hospitality, and the safety of a well-run family-oriented organization like Fred Harvey’s would give women a chance to make their own way in the world without having to marry first before they could travel to places unknown. Although Will Rogers said: “Fred Harvey provided food and wives for the West,” at least these future wives had a taste of independence first!
They came first as waitresses known as Harvey Girls, and in the 1920s the more educated young woman of social grace was called to become Couriers, or Guides, for the Indian Detours. These Harvey Detours were excursions off the beaten track of the rail lines and went into the Indian country of New Mexico and Arizona, with young educated women who were “walking-talking billboards” who shared their expertise about the beautiful Southwest.
At a time when there were “no ladies west of Dodge City and no women west of Albuquerque,” we owe a great debt to Fred Harvey, and the Rail Roads, for the second and third great migration of women Out West! So grab your walking shoes, camera and hats as we bump along the old dirt roads to take a detour of the grand Southwest once again!
All Aboard! Fred Harvey's Southwest Indian Detour Couriers
"All Aboard!"
Click here or on image for a biography & a larger photo
All Aboard! Fred Harvey's Southwest Indian Detour Couriers
All Aboard! Pioneer women traveling west began with their families in lumbering wagons following the Great Trails. This Western migration was continued by rail with a new breed of independent women from the 1880’s through the mid- twentieth century. This is their story!
Instead of traveling West with oxen and mule-power, the Railroads and Fred Harvey encouraged young adventurous women to board an Iron Horse across a desolate continent to new opportunities and homes. Advertisements across the East coast lured these women to responsible positions in newly built, and finely run restaurants and hotels along the Atchison, Topeka and Santa Fe Railway line. Western hospitality, and the safety of a well-run family-oriented organization like Fred Harvey’s would give women a chance to make their own way in the world without having to marry first before they could travel to places unknown. Although Will Rogers said: “Fred Harvey provided food and wives for the West,” at least these future wives had a taste of independence first!
They came first as waitresses known as Harvey Girls, and in the 1920s the more educated young woman of social grace was called to become Couriers, or Guides, for the Indian Detours. These Harvey Detours were excursions off the beaten track of the rail lines and went into the Indian country of New Mexico and Arizona, with young educated women who were “walking-talking billboards” who shared their expertise about the beautiful Southwest.
At a time when there were “no ladies west of Dodge City and no women west of Albuquerque,” we owe a great debt to Fred Harvey, and the Rail Roads, for the second and third great migration of women Out West! So grab your walking shoes, camera and hats as we bump along the old dirt roads to take a detour of the grand Southwest once again!
Westward Ho!
Westward Ho! - Climb aboard and head west with Van Ann Moore as she brings alive the fascinating lives and times of women who traveled overland on the Santa Fe, California, Oregon and Mormon trails. These were ordinary women who were caught up in the great migration across the American West (1840-1870) because their fathers, husbands, and brothers had determined to improve their lot in life. How thankful we should be their daily experiences and challenges of these women did not want to make the trip in the first place! Here are somes of the most haunting voices culled from hundreds of possible documentary sources. You will experience their special heroism, and industriousness, with their relentless determination to survive and keep their families intact. Most of these women did not want to make the trip in the first place! You will laugh, and you may cry, as you climb aboard the wagon train which is heading west once again. This is a combination of lecture and dramatic reenactment in period costume with music of the era..
Westward Ho!
Click here or on image for a
biography & a larger photo
Westward Ho!
Westward Ho! - Climb aboard and head west with Van Ann Moore as she brings alive the fascinating lives and times of women who traveled overland on the Santa Fe, California, Oregon and Mormon trails. These were ordinary women who were caught up in the great migration across the American West (1840-1870) because their fathers, husbands, and brothers had determined to improve their lot in life. How thankful we should be their daily experiences and challenges of these women did not want to make the trip in the first place! Here are somes of the most haunting voices culled from hundreds of possible documentary sources. You will experience their special heroism, and industriousness, with their relentless determination to survive and keep their families intact. Most of these women did not want to make the trip in the first place! You will laugh, and you may cry, as you climb aboard the wagon train which is heading west once again. This is a combination of lecture and dramatic reenactment in period costume with music of the era..
Sopranos and Six Shooters
“Sopranos and Six-Shooters: Grand Ladies of Theatre in the Old West”
Everyone likes to be entertained, and early days in the old West was no exception! Entertainers were always a welcome sight especially in the mining towns, and other places “out-in-the-sticks.” The early theatrical troupes or famous performers, especially the ladies, were a hardy group who endured traveling for long distances over dangerous trails, arid deserts, and over rugged mountains. And once the performers reached their destinations often primitive conditions existed with no dressing rooms or sanitary facilities. Many times the “stage” would be make-shift, at best, and might be in a stable, or blacksmith shop’s shop with a wagon canvas for a curtain. Other venues would include schools, tents, or saloons, and the “orchestra” often was only a guitar, a flute, and a violin played by simple musicians who may not even be able to read music!
Theatrical entrepreneurs offered comedies, dramas, medicine shows, variety programs, and operas or musicals at the high end. Sometimes the price of a coveted seat could be $100.00, especially in a mining town, and always the performer hoped they would be liked well enough to receive gold or silver coins tossed on the stage!
Some of the earliest stars who traveled out West were Lillie Langtry, Sarah Bernhardt, Lillian Russell, Lotta Crabtree, and the infamous Lola Montez whose name was more exciting than her actual talents as a dancer! For these ladies as their fame grew, the performance venues also improved and attracted people for miles around. In Albuquerque the Garcia Opera House and Elks Theatre, Cerrillos as small a town as it was boasted an Opera House, the Schuler Theatre in Raton, and the Garcia Opera House in Socorro, with one of the only raked stages left in the country, attracted some amazing talent in the 1800’s and early 1900’s in the New Mexico Territory. Of course there were other famous theatres such as the two Tabor Opera Houses in Colorado (built in the 1880’s), the
Belvidere and Central City Opera House in Central City Colorado, in Nevada City Nevada there were the Howard Street Theatre, Maguire’s Opera House (built in the early 1860’s), and the Piper’s Opera House (1863) which hosted many of the leading ladies of the day. Many of these Theatres are still in operation!
Life was not easy for actresses and singers who braved the conditions of the old West but they were dedicated to their professions, and willing to make sacrifices. The stress of playing the same role for years, or changing characters and plays was very demanding. Transportation was limited and challenging: journeying by wagons across the plains, traveling over the dangerous Isthmus of Panama, or taking the perilous sea voyage around Cape Horn was the only way most of them could get to their destinations until the railroad made things easier. But one must remember that the train only arrived in Albuquerque by 1880!
Back East, ladies of the stage were considered by women to be immoral or “sinful,” yet social matrons would stand in line to get a ticket to see a famous actress perform, but rarely would they invite her to a social event or to their homes! It would be the frontier towns and cities however that received these talented artists with friendliness and respect. San Francisco paid the highest wages and was considered the theatrical capital of the West, as New York City was the capital of the East coast.
Going back to the days of gun slingers and miners, cowboys and ranchers, one can only imagine the comic flare of a Lotta Crabtree, or the beauty of Lillie Langtry or the beautiful voice of America’s Darling, Lillian Russell, when viewed from a third row seat, nor can one imagine the dramatic voice of the great Sarah Bernhardt except through the reenactment of these women for today’s audiences by a contemporary performer, in this case, VanAnn Moore. But these women and their influence on theatre, and the challenging times they performed in, is an era that will never be repeated and can only be imagined for the historicity and excitement they offered to those old West audiences who clamored for diversion and entertainment, just as we do today.
Sopranos and Six Shooters:
Great Ladies of the Western Theatre
Click here or on image for a biography & a larger photo
Sopranos and Six Shooters
“Sopranos and Six-Shooters: Grand Ladies of Theatre in the Old West”
Everyone likes to be entertained, and early days in the old West was no exception! Entertainers were always a welcome sight especially in the mining towns, and other places “out-in-the-sticks.” The early theatrical troupes or famous performers, especially the ladies, were a hardy group who endured traveling for long distances over dangerous trails, arid deserts, and over rugged mountains. And once the performers reached their destinations often primitive conditions existed with no dressing rooms or sanitary facilities. Many times the “stage” would be make-shift, at best, and might be in a stable, or blacksmith shop’s shop with a wagon canvas for a curtain. Other venues would include schools, tents, or saloons, and the “orchestra” often was only a guitar, a flute, and a violin played by simple musicians who may not even be able to read music!
Theatrical entrepreneurs offered comedies, dramas, medicine shows, variety programs, and operas or musicals at the high end. Sometimes the price of a coveted seat could be $100.00, especially in a mining town, and always the performer hoped they would be liked well enough to receive gold or silver coins tossed on the stage!
Some of the earliest stars who traveled out West were Lillie Langtry, Sarah Bernhardt, Lillian Russell, Lotta Crabtree, and the infamous Lola Montez whose name was more exciting than her actual talents as a dancer! For these ladies as their fame grew, the performance venues also improved and attracted people for miles around. In Albuquerque the Garcia Opera House and Elks Theatre, Cerrillos as small a town as it was boasted an Opera House, the Schuler Theatre in Raton, and the Garcia Opera House in Socorro, with one of the only raked stages left in the country, attracted some amazing talent in the 1800’s and early 1900’s in the New Mexico Territory. Of course there were other famous theatres such as the two Tabor Opera Houses in Colorado (built in the 1880’s), the
Belvidere and Central City Opera House in Central City Colorado, in Nevada City Nevada there were the Howard Street Theatre, Maguire’s Opera House (built in the early 1860’s), and the Piper’s Opera House (1863) which hosted many of the leading ladies of the day. Many of these Theatres are still in operation!
Life was not easy for actresses and singers who braved the conditions of the old West but they were dedicated to their professions, and willing to make sacrifices. The stress of playing the same role for years, or changing characters and plays was very demanding. Transportation was limited and challenging: journeying by wagons across the plains, traveling over the dangerous Isthmus of Panama, or taking the perilous sea voyage around Cape Horn was the only way most of them could get to their destinations until the railroad made things easier. But one must remember that the train only arrived in Albuquerque by 1880!
Back East, ladies of the stage were considered by women to be immoral or “sinful,” yet social matrons would stand in line to get a ticket to see a famous actress perform, but rarely would they invite her to a social event or to their homes! It would be the frontier towns and cities however that received these talented artists with friendliness and respect. San Francisco paid the highest wages and was considered the theatrical capital of the West, as New York City was the capital of the East coast.
Going back to the days of gun slingers and miners, cowboys and ranchers, one can only imagine the comic flare of a Lotta Crabtree, or the beauty of Lillie Langtry or the beautiful voice of America’s Darling, Lillian Russell, when viewed from a third row seat, nor can one imagine the dramatic voice of the great Sarah Bernhardt except through the reenactment of these women for today’s audiences by a contemporary performer, in this case, VanAnn Moore. But these women and their influence on theatre, and the challenging times they performed in, is an era that will never be repeated and can only be imagined for the historicity and excitement they offered to those old West audiences who clamored for diversion and entertainment, just as we do today.
Wild Women of the West
Amazing Women of the Wild West: Territorial New Mexico
One of the most dramatic eras of New Mexico’s rich history is the Territorial period when the United States raised the American flag on August 18th 1846 over the plaza of Santa Fe for the first time. As an accomplished actress, Van Ann Moore portrays three diverse women from that period. Dona Tules (Gertrude Barcelo) owned gambling houses in Santa Fe and established close relationships with both Mexican and American leaders. Susan Shelby Magoffin, often billed as the first Anglo woman down the Santa Fe Trail, recorded her adventures for future generations in her famous diary: Down the Santa Fe Trail and into Mexico. Lydia Spencer Lane, the wife of an army officer who served at Fort Fillmore, Fort Union and elsewhere in New Mexico, also produced a memoir of her life and times: I Married a Soldier. VanAnn Moore draws on this wealth of material to give us an informative and entertaining look through drama and music at a woman’s life in Territorial New Mexico.
Amazing Women of the Wild West
Click here or on image for a biography & a larger photo
Amazing Women of the Wild West
Amazing Women of the Wild West: Territorial New Mexico
One of the most dramatic eras of New Mexico’s rich history is the Territorial period when the United States raised the American flag on August 18th 1846 over the plaza of Santa Fe for the first time. As an accomplished actress, Van Ann Moore portrays three diverse women from that period. Dona Tules (Gertrude Barcelo) owned gambling houses in Santa Fe and established close relationships with both Mexican and American leaders. Susan Shelby Magoffin, often billed as the first Anglo woman down the Santa Fe Trail, recorded her adventures for future generations in her famous diary: Down the Santa Fe Trail and into Mexico. Lydia Spencer Lane, the wife of an army officer who served at Fort Fillmore, Fort Union and elsewhere in New Mexico, also produced a memoir of her life and times: I Married a Soldier. VanAnn Moore draws on this wealth of material to give us an informative and entertaining look through drama and music at a woman’s life in Territorial New Mexico.
Mostly Mozart, and then Some Moore!
Mostly Mozart, and then Some Moore!, A musical theatre show for children of all ages.
Mozart influences us today more than ever. Listening to Mozart improves test scores and memory. Watching Mozart is even Moore fun! In this production Van Ann Moore utilizes excerpts dramatically and musically from The Magic Flute and The Marriage of Figaro. Ms. Moore also intertwines other opera and musical numbers that can be selected from such shows as Daughter of the Regiment, Il Trovatore, South Pacific, Annie Get Your Gun, My Fair Lady, Yentl, Once Upon a Mattress, and Phantom of the Opera. There are many other shows and selections upon request. Piano accompanist included.
Mostly Mozart, and then Some Moore!
Click here or on image for a
biography & a larger photo
Mostly Mozart, and then Some Moore!
Mostly Mozart, and then Some Moore!, A musical theatre show for children of all ages.
Mozart influences us today more than ever. Listening to Mozart improves test scores and memory. Watching Mozart is even Moore fun! In this production Van AMostly Mozart, and then Some Moore!, A musical theatre show for children of all ages.
Mozart influences us today more than ever. Listening to Mozart improves test scores and memory. Watching Mozart is even Moore fun! In this production Van Ann Moore utilizes excerpts dramatically and musically from The Magic Flute and The Marriage of Figaro. Ms. Moore also intertwines other opera and musical numbers that can be selected from such shows as Daughter of the Regiment, Il Trovatore, South Pacific, Annie Get Your Gun, My Fair Lady, Yentl, Once Upon a Mattress, and Phantom of the Opera. There are many other shows and selections upon request. Piano accompanist included.
Love Through the Ages
Love Through the Ages, This is a real crowd pleaser because everyone loves romance.
Utilizing Van Ann Moore's historical characters such as Martha Washington, Dona Tules, Susan Magoffin, Jenny Lind, Libby Custer, Lillie Langtree, Sara Bernhardt, Molly Brown, Lillian Russell, Belle Starr and a few characters from musical theatre she brings wonderful love stories to life with music and drama. VanAnn changes from one character to another simply and expressively. This is a particularly good show for the older audience, anniversaries, fund raisers, special occasions and especially Valentine's Day!
Choice of piano accompanist or prerecorded tapes.
Love Through the Ages
Click here or on image for a
biography & a larger photo
Love Through the Ages
Love Through the Ages, This is a real crowd pleaser because everyone loves romance.
Utilizing Van Ann Moore's historical characters such as Martha Washington, Dona Tules, Susan Magoffin, Jenny Lind, Libby Custer, Lillie Langtree, Sara Bernhardt, Molly Brown, Lillian Russell, Belle Starr and a few characters from musical theatre she brings wonderful love stories to life with music and drama. VanAnn changes from one character to another simply and expressively. This is a particularly good show for the older audience, anniversaries, fund raisers, special occasions and especially Valentine's Day!
Choice of piano accompanist or prerecorded tapes.
Variety is the Name of the Game
Variety is the Name of the Game, A beautiful mixture of comedy, drama, opera, musical and pop selections bring this evening of variety entertainment to life. From opera to pop Van Ann Moore changes costume and characters right on stage! From Carmen to Streisand this show is excellent for exemplifying what music theatre entails, especially in America. Especially appropriate for a unique theatre evening, fund raisers, the concert format, or as an educational vehicle. You will laugh, and you will cry.
This is a great show for family entertainment reminiscent of vaudeville.
Piano accompanist included.
Variety is the Name of the Game
Click here or on image for a
biography & a larger photo
Variety is the Name of the Game
Variety is the Name of the Game, A beautiful mixture of comedy, drama, opera, musical and pop selections bring this evening of variety entertainment to life. From opera to pop Van Ann Moore changes costume and characters right on stage! From Carmen to Streisand this show is excellent for exemplifying what music theatre entails, especially in America. Especially appropriate for a unique theatre evening, fund raisers, the concert format, or as an educational vehicle. You will laugh, and you will cry.
This is a great show for family entertainment reminiscent of vaudeville.
Piano accompanist included.
Dorothy and Todo Aren't in Kansas Anymore
Dorothy and Todo Aren't in Kansas Anymore, This is a great family show of variety music and skits. You can imagine how fun this show will be when Van Ann enters onstage as Dorothy accompanied by her little dog Todo (aka Judy Garland). This show can be tailored to your audience of any age by selecting from the following musical shows: Carmen, La Boheme, Cats, Jeckyl and Hyde, The Scarlet Pimpernell, A Little Night Music, Oklahoma, Show Boat along with many other musical possibilities upon request. This show has a number of comedy skits to tickle your funny bone and keep you laughing.
This is a great show for the entire family. Piano accompanist included.
Dorothy and Todo Aren't in Kansas Anymore
Click here or on image for a
biography & a larger photo
Dorothy and Todo Aren't in Kansas Anymore
Dorothy and Todo Aren't in Kansas Anymore, This is a great family show of variety music and skits. You can imagine how fun this show will be when Van Ann enters onstage as Dorothy accompanied by her little dog Todo (aka Judy Garland). This show can be tailored to your audience of any age by selecting from the following musical shows: Carmen, La Boheme, Cats, Jeckyl and Hyde, The Scarlet Pimpernell, A Little Night Music, Oklahoma, Show Boat along with many other musical possibilities upon request. This show has a number of comedy skits to tickle your funny bone and keep you laughing.
This is a great show for the entire family. Piano accompanist included.
"New Mexico: The Epic Musical of Dona Tules, Queen of Hearts."
"New Mexico: The Epic Musical of Dona Tules, Queen of Hearts.", Excerpts from the musical and a brief story-line are intertwined with the beautiful musical score written by Jay Stewart. This production requires a minimum of two performers plus a pianist, but would be best accomplished with four or more performers. Your community could learn the choral numbers for this show and participate with the solo performers for a delightful evening of a southwestern musical. This story and music is based on the true story from the heart of Santa Fe, New Mexico and exemplifies the Hispanic and Indian cultures of that enchanted land. The entire musical of New Mexico: The Epic Musical of Dona Tules, Queen of Hearts and the right to perform it is available with Van Ann Moore in the lead as Dona Tules. This was the show that was invited to represent the U.S. at the World's Fair in Seville Spain.
"New Mexico: The Epic Musical of Dona Tules, Queen of Hearts."
Click here or on image for a
biography & a larger photo
Viva Santa Fe!, Concert Version
Viva Santa Fe!, Concert Version, Excepts and a brief story line are intertwined with the beautiful musical score of Viva Santa Fe! Written by Jay Stewart. This production requires a minimum of two performers plus a pianist, but would be best accomplished with four or more performers. Your community could learn the choral numbers for this show and participate with the solo performers for a delightful evening of a southwestern musical. This story and music is based on a true story from the heart of
Santa Fe, New Mexico and exemplifies the Hispanic and Indian cultures of that enchanted land. The entire musical of Viva Santa Fe! And the right to perform it is available with Van Ann Moore in the lead as Dona Tules. This is the show that was invited to represent the U.S. at Expo '92 in Seville Spain.
Mad About Love Musical Theatre Show
“Love should be celebrated every day, all year long! But especially on Valentine's Day!”
VanAnn Moore and Andre Garcia-Nuthmann have created an evening of music (opera to pop), with humorous Sketches and high jinx in-between. The last part of the show brings you back to those glorious fifties with an episode of "I Love Lucy" with Lucy and Ricky Ricardo "in person" once again!”
Mad About Love Musical Theatre Show
Click here or on image for a
biography & a larger photo
Mad About Love Musical Theatre Show
“Love should be celebrated every day, all year long! But especially on Valentine's Day!”
VanAnn Moore and Andre Garcia-Nuthmann have created an evening of music (opera to pop), with humorous Sketches and high jinx in-between. The last part of the show brings you back to those glorious fifties With an episode of "I Love Lucy" with Lucy and Ricky Ricardo "in person" once again!”
Van Ann shown with flamenco guitarist Raul Gomez
Spanish Music
This show includes Van Ann Moore singing Spanish music accompanied by piano and/or flamenco and classical guitar. The accompanist will also perform exciting solos as well. Flamenco dancers can be included upon request. This is Hispanic music at its best! This can be a strictly dramatic production or a show with delightful comedic skits intertwined.
New Mexico – The epic musical of Dona Tules, Queen of Hearts
An original and exciting historical musical was composed and written by and for New Mexicans, to enhance the understanding, appreciation and education of New Mexico's fascinating history and rich cultural diversity.
The epic musical is based on a colorful and flamboyant, 19th century Hispanic woman, Dona Maria Gertrudes Barcelo, known throughout New Mexico as "Tules." Dona Tules lived under the flags of three different nations, a very turbulent era in Nuevo Mexico's history. Rising from a poor peon to become the "Gambling Queen of the West", Dona Tules played a critical role in the blending of cultures, politics, characters, fortunes and destinies that helped to lead the territory to statehood. Historian, Marc Simmons, stated, "Dona Tules was without a doubt, the most extraordinary and memorable native woman in New Mexico during the 19th Century."
We are driven by the desire to show and tell this era of New Mexico history through dialogue, music and dance. Our goals are to instill citizens with pride of the Hispanic heroine, her fortitude and determination, and tell the story in an entertaining way, inspiring students and amusing enthusiasts of history and social studies.
Originally titled Viva Santa Fe!, along with the name change, the story line has been revised and enhanced - new scenes, characters, songs, choreography, costumes, and stage directions have been incorporated.
For additional information, please contact VanAnn Moore: [email protected] or James Stewart: [email protected]
Aimee Semple McPherson
Aimee Semple McPherson (1890 - 1944) was consecrated to God by her mother, a soldier of the Salvation Army, before she was even born. This is the remarkable story of the founder of the International Church of the Foursquare Gospel, the first woman to preach a sermon over the radio, who built L.I.F.E. Bible College, started her own radio station KFSG, and designed, built and dedicated the 5,300 seat Angelus Temple in Los Angeles when she was only thirty-two years of age. Here is the young Canadian farm girl who was baptized and saved after a challenging quest to know if God was real or not, who then became a missionary to China with her first husband, Robert Semple (who tragically died), leaving Aimee a young widow with her first child stranded overseas. Her return to America brought a second hasty marriage to Harold McPherson in Rhode Island leaving her frustrated, neurotic, (and with a second child) until the Lord intervened during a life and death struggle challenging her to continue to evangelize the world. And thus she did, going up and down the United States with just a car, her children in tow, and only a tambourine in her hand! She preached in tents, concert halls, boxing rings, and speakeasies praying for the healing of thousands. And then Sister Aimee, with the help of her mother, crossed the United States in a car to Los Angeles (one of the first women to do so); there she built a Pentecostal temple that fit in with the Hollywood image of the day. She became a star in her own right, preaching and teaching and creating musical dramas in the 1920s, '30s and early '40s. Many people remember Sister Aimee for her welfare projects, especially during times of crises, hearing her over the radio waves, or reading about her in the many papers across the country. Charlie Chaplin advised her about her mammoth evangelistic productions and Anthony Quinn played sax in her orchestra. Scandal and a kidnapping drama challenged her life, and yet the dynamic and powerful, humorous and pragmatic Aimee Semple McPherson is considered by many to have been the greatest evangelist and preacher of the 20th centruy --- certainly the greatest woman evangelist to have ever lived. Sister Aimee preaches again!
Aimee Semple McPherson
Evangelist, Faith Healer, and Star
(1890 - 1944)
Click here or on image for a
biography & a larger photo
Aimee Semple McPherson
Aimee Semple McPherson (1890 - 1944) was consecrated to God by her mother, a soldier of the Salvation Army, before she was even born. This is the remarkable story of the founder of the International Church of the Foursquare Gospel, the first woman to preach a sermon over the radio, who built L.I.F.E. Bible College, started her own radio station KFSG, and designed, built and dedicated the 5,300 seat Angelus Temple in Los Angeles when she was only thirty-two years of age. Here is the young Canadian farm girl who was baptized and saved after a challenging quest to know if God was real or not, who then became a missionary to China with her first husband, Robert Semple (who tragically died), leaving Aimee a young widow with her first child stranded overseas. Her return to America brought a second hasty marriage to Harold McPherson in Rhode Island leaving her frustrated, neurotic, (and with a second child) until the Lord intervened during a life and death struggle challenging her to continue to evangelize the world. And thus she did, going up and down the United States with just a car, her children in tow, and only a tambourine in her hand! She preached in tents, concert halls, boxing rings, and speakeasies praying for the healing of thousands. And then Sister Aimee, with the help of her mother, crossed the United States in a car to Los Angeles (one of the first women to do so); there she built a Pentecostal temple that fit in with the Hollywood image of the day. She became a star in her own right, preaching and teaching and creating musical dramas in the 1920s, '30s and early '40s. Many people remember Sister Aimee for her welfare projects, especially during times of crises, hearing her over the radio waves, or reading about her in the many papers across the country. Charlie Chaplin advised her about her mammoth evangelistic productions and Anthony Quinn played sax in her orchestra. Scandal and a kidnapping drama challenged her life, and yet the dynamic and powerful, humorous and pragmatic Aimee Semple McPherson is considered by many to have been the greatest evangelist and preacher of the 20th centruy --- certainly the greatest woman evangelist to have ever lived. Sister Aimee preaches and sings again!
The Three Marries
Bringing to life the mother of Jesus, Mary Magdalene and Mary of Bethany through drama and song.
The Thee Mary's
Click here or on image for a
biography & a larger photo
The Three Marries
Bringing to life the mother of Jesus, Mary Magdalene and Mary of Bethany through drama and song.
Testimony & Motivational Speaking
Testimony & Motivational Speaking, Van Ann's personal spiritual walk is a long and dramatic story with many highs and many lows, but always her goal is to focus on her relationship with Jesus Christ as her Lord (Yesahua HaMashiach) and savior. VanAnn's interaction with the audience is superlative as she motivates and inspires any audience she is given.
Testimony & Motivational Speaking
Click here or on image for a
biography & a larger photo
Testimony & Motivational Speaking
Testimony & Motivational Speaking, Van Ann's personal spiritual walk is a long and dramatic story with many highs and many lows, but always her goal is to focus on her relationship with Jesus Christ as her Lord (Yesahua HaMashiach) and savior. VanAnn's interaction with the audience is superlative as she motivates and inspires any audience she is given.
Solo Performances for Church Services and Other Functions
Solo Performances, Speak for themselves. Jenny Lind is a marvelous character to bring in.
Solo Performances for Church Services and Other Functions
Click here or on image for a
biography & a larger photo
Solo Performances for Church Services and Other Functions
Solo Performances, Speak for themselves. Jenny Lind is a marvelous character to bring in.